Extreme dynamics, especially loud dynamics.Extensive use of air sounds (physically tiring, although not for the embouchure).Quieter dynamics (ppp – p) in the upper register. ![]() Extended techniques that do not engage the embouchure, such as tongue slaps and air sounds.Shorter phrases separated with frequent short breaks, as well as occasional longer breaks.But I find this a useful way of categorizing trumpet techniques and different kinds of playing into how tiring they are for the player. Of course, this is highly subjective, and each player has his or her own limits of endurance. If there is a compelling reason for pushing these limits, then by all means go for it – and if you have the luxury of knowing a trumpet player who could help test some tricky passages, then all the better! Levels of “strenuousness”Īs a trumpet player, I often categorize repertoire and different kinds of playing in terms of their “strenuousness”. But in no way should these guidelines stifle creativity: new music can and should push boundaries. Of course, these guidelines are just that – a guide to trumpet writing that keeps within the physical limits of the performer and their instrument, and helps avoid writing that completely exhausts your player. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |